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The Jauntee + Touch Of Trey feat. Josh Pearson with members of The Jauntee coming to Dallas & Austin in February, TAND’s debut Dallas show 2/26 and Leftover Salmon playing Dallas April 2nd at Granada Theater!

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Heads up this weekend for Pearl Jam Tribute 'Pearl Gem Sat 1/31 at Granada Theater plus Sunday Funday with Bandolero rockin Grateful Dead, Widespread Panic, & Allman Bros in Grapevine, Tx at Tolbert's 2/1, The Jauntee with Touch of Trey… Read More »
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Upcoming Events

Fri Feb 13 2026 Bandolero *$10 cover* atLee Harvey's Dallas, TX

Bandolero rocks the music of Grateful Dead, Allman Bros, & Widespread Panic Friday Feb 13th at Lee Harvey’s.

 

Show at 9pm. $10 cover at the door. 2 sets!

Thu Feb 19 2026 Jauntee w/ Touch of Trey feat. Josh Pearson atDeep Ellum Art Company Dallas, Texas
Tickets
The Jauntee teams up with Grateful Dead/Phish Tribute Touch of Trey feat. Josh Pearson in Dallas Thursday Feb 19th.
Doors 7pm | Show 8pm
bit.ly/JaunteeTouchofTreyDallas
The Jauntee is an electrifying and genre-blending musical ensemble that has captivated audiences with their unique and dynamic sound. Formed in 2010, the band has been pushing the boundaries of improvisational music, combining elements of jazz, funk, rock, and psychedelic jams to create a sonic experience like no other.
With a deep-rooted passion for exploration and improvisation, The Jauntee is known for their spellbinding live performances. Each show is a journey into uncharted musical territory, where the band members fearlessly navigate through intricate compositions, soaring guitar solos, and tight-knit improvisational segments. Their ability to seamlessly transition between different moods and genres has earned them a devoted and diverse fan base.
Hailing from Boston, The Jauntee consists of four extraordinarily talented musicians who share a profound musical chemistry. Their lineup includes Caton Sollenberger (guitar/vocals), Scott Ferber (drums/vocals) Tyler Adams (keys/vocals), and John Loland (bass). Together, they create a musical synergy that is both captivating and exhilarating, always leaving audiences craving for more.
www.thejauntee.com
Fri Feb 20 2026 The Jauntee + Touch Of Trey feat. Josh Pearson atThe 13th Floor
Tickets
The Jauntee teams up with Grateful Dead/Phish Tribute Touch of Trey feat. Josh Pearson in Austin Friday Feb 20th at The 13th Floor on Red River.
Doors 8pm | Show 9pm
Fri Feb 20 2026 Bricks In The Wall *Pink Floyd Tribute* atGranada Theater Dallas, TX
Tickets

Pink Floyd Tribute ‘Bricks In The Wall’ perform Feb 20th in Dallas at Granada Theater.

Doors 630pm. Show 8pm

Thu Feb 26 2026 TAND + Thought Diet atDeep Ellum Art Company Dallas, Texas
Tickets
TAND in Dallas for the 1st time 2/26 at Deep Ellum Art Company!
Support from local artists
Thought Diet
Doors 7pm | Show 8pm
Tickets – bit.ly/TANDinDallas
Tand is a rock band from South Florida known for their deep catalog of originals, covers and high energy live shows. The band’s first official studio release, Puzzle Piece, was released in 2022 and was followed by their first full length album Tripp and the New Dinosaurs in late 2023. Tand has also released 3 live compilations available on all streaming services. With a relentless touring schedule and frequent performances at major music festivals including Summer Camp Music Festival, Peach Music Festival, Hulaween, and Northlands, Tand has solidified their place as one of the most exciting up-and-coming musical acts.
www.tandtheband.com
Sun Mar 01 2026 Shakedown Sundays - Hip Hop is Dead *$5 cover* atTwo Moons Music Hall Denver, Colorado
Time2Fly Music Presents – Hip Hop Is Dead for Shakedown Sunday on March 1st at Two Moons Music Hall.
Doors – 1
Music – 2-5pm
Cover – $5
Hip Hop is Dead is a Colorado Springs-based cover band that blends the music of the Grateful Dead with hip hop and R&B. The group operates as a jam band, performing live music that mixes classic rock and hip hop styles.
Sun Mar 15 2026 Twenty Hounds *FREE Show* atTolbert's Restaurant & Chili Parlor Grapevine, TX

Twenty Hounds celebrates the music of Grateful Dead Sunday March 15th at Tolbert’s in Grapevine.

 

FREE show 230pm – 530pm. Two sets!

Sun Mar 15 2026 Shakedown Sundays - Natalie Brooke atTwo Moons Music Hall Denver, Colorado
Tickets
Time2Fly Music Presents – Natalie Brooke at Two Moons Music Hall for Shakedown Sunday on March 15th.
Doors 1
Music 2-5pm
Tickets – $10 presale
Natalie Brooke is a rock star. A virtuoso funk / rock keys player leading her powerhouse 4-piece band from the Baltimore area. The explosive act is fronted by Natalie on keys, synth, keytar, and vocals and backed by drummer Nathan Shulkin, Nester on the bass, and Luke Walker on the guitar.
She kicks off every show with a punch and never lets the energy drop – audiences move, dance, scream, jump, and ride the wild wave of the set with her and the band. Natalie’s music was once said to be a mashup of Rick James and Rush. She has an undeniably infectious vibe featuring a fiery blend of fast tempos and sloshy rock elements balanced with her transcendent jazz and classical roots. Natalie brings an exceptionally unique approach to the keyboard that is equally percussive and melodic that lights up the show with every electrifying note she plays. She is on a meteoric rise, frequently sharing the stage with pillars of the rock, funk, and jazz scenes. Pigeons Playing Ping Pong, Andy Frasco & the UN, Big Something, Cris Jacobs, Doom Flamingo, Sunsquabi, lespecial, and the Magic Beans are a few of the artists Natalie has played with recently.
Natalie’s artistry thrives in the space between vulnerability and fire. With her new full-length album, Measured in Moments, arriving October 10, 2025 the Maryland-based pianist, vocalist, and bandleader reveals her most fearless work yet. A bold, expansive statement that charts her path from quiet, ear-trained prodigy to commanding frontwoman, composer, and collaborator.
The album’s opening singles offer two distinct windows into her evolving sound. “Sometimes” featuring Cris Jacobs, released September 9, 2025 is a groove-forward meditation on life’s dualities. Led by her soulful vocals and anchored by the lyric: “sometimes change is what I am, sometimes I’m better off running.” The track builds in intensity, slipping into a jazz-soaked breakdown before she unleashes a fiery organ solo. Baltimore rock luminary Cris Jacobs answers with a spellbinding improvisation of his own, pushing the song into uncharted terrain.
“Hands” takes a decidedly different route. An urgent jazz-fusion composition that rides a staccato motif into a soaring chorus that is both sultry and celebratory, the track embodies Natalie’s invitation to the dance floor, complete with tension-building bridges and moments of release that capture her instinct for drama and motion.
For Natalie, these tracks are snapshots of a larger journey. “Pretty much always been piano,” she recalls. “I started when I was five, and just was always in lessons. I did quit lessons in middle school, which is when I picked up really learning by ear, which I think is where a lot of the creativity really started happening.” The shift from the page and toward instinct proved to be the vital catalyst cementing the foundation of her artistry.
Her evolution hasn’t been linear. Classical training gave way to a “brutal learning curve” in jazz, years of attending metal shows fed into her love of grit and volume, and eventually vocals entered the frame. “Vocals were a completely different approach. I was actually very quiet my whole life… singing has actually been a really big challenge. I finally, secretly, started going to voice lessons and not telling anybody when I was 25,” she says. What began as therapy — “being okay with being loud and being heard” — has transformed into a defining strength.
When she first stepped into the role of bandleader, six months before the pandemic, Brooke was hesitant. The forced pause became a turning point. “When I first started my band, I was still a little shy being the front woman. Then during covid was when I decided that I can get back out there, I’m gonna not hold back. I’m gonna rip it up.” That commitment shows up not just in her stage presence—often wielding a keytar bought on impulse (“I wish I had a better story… I just bought the keytar”)—but in the way she runs her band. “I really like grit, and I really like when people like to be pushed and when they like to also push me… we always want to be hurtling forward, creating something new, and not getting stagnant.”
Her debut solo EP, Wicked and Wonderful (2024), hinted at this alchemy of sounds, combining instrumentals, piano-driven experiments, and genre-bending curiosity. The forthcoming album pushes further, weaving fusion, funk, and rock energy with moments of intimate storytelling. On stage, Brooke favors high energy, while in the studio she leans into narrative and nuance. “I like to go into the studio to really tell a story and honestly get things out that I can’t get out live,” she admits. The result is a body of work that honors both sides of her identity: the explosive live performer and the reflective songwriter.
Ultimately, Natalie Brooke’s story is one of reinvention, perfecting the art of learning to be heard, to lead, and to trust the creative tension that comes with pushing boundaries. The release of Measured In Moments captures that arc in full, cementing her place as one of the most compelling new voices in modern jazz-fusion and beyond.
Sun Mar 29 2026 Shakedown Sundays - Drums & Space *$10 cover* atTwo Moons Music Hall Denver, Colorado
Time2Fly Music Presents – Drums & Space at Two Moons Music Hall for Shakedown Sunday on March 29th.
Doors 1
Music 2-5pm
Cover – $10
n 1978, the Grateful Dead introduced the Drums segment to the second set of their concerts: Tribal, rhythmic, booming. The Space segment soon teamed up with Drums: Haunting, mystical, weird. And this duo would become the clearest channel for manifestation of the band’s fabled ex-chemistry. Drums often represented the Indian tabla players, where Space reflected modern electronics and spacey sounds of the day. Drums and Space offered a vehicle to take both thematic and improvisational noise to places other rock and roll bands deemed forbidden.
Forty three years later, a group of Denver-area musicians began exploring the Drums and Space phenomenon, leveraging new ways to reintroduce Drums and Space to the Denver music scene. The band Drums and Space, or DNS, was born. The group takes great care in honoring the traditions of Grateful Dead music, while showcasing a contemporary take on the Drums and Space segment at their live shows. Each DNS concert begins with a version of Drums and Space, followed by songs carefully chosen from the Dead’s vast catalog of music. In the spirit of the Dead’s relentless quest to play music by other artists, DNS created 1SC, or First Set Closer. The last song of the first set at a DNS concert features an artist other than the Grateful Dead. From original songs from DNS musicians to classical compositions like Also Sprach Zarathustra, anything goes in the 1SC slot.
DNS would be nowhere without their audience. And the band goes to great lengths to get their audience involved at their shows. From free beach balls to fan participation on stage, members of the band know that their voyage to the stars would never get off the ground without their fans.
Thu Apr 02 2026 Leftover Salmon atGranada Theater Dallas, TX
Tickets

Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon.
Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique
style.
The band now features a lineup that has been together longer than any other in Salmon history and is one of the strongest the legendary band has ever assembled. Built around the core of
founding members Drew Emmitt and Vince Herman, the band is now powered by banjo-wiz Andy Thorn and driven by the steady rhythm section of bassist Greg Garrison, drummer Alwyn
Robinson, and dobro player & keyboardist Jay Starling.
The current lineup is continuing the long, storied history of Salmon which found them first emerging from the progressive bluegrass world and coming of age as one the original jam
bands, before rising to become architects of what has become known as Jamgrass and helping to create a landscape where bands schooled in the traditional rules of bluegrass can break free
of those bonds through nontraditional instrumentation and an innate ability to push songs in new psychedelic directions live.

Come see Leftover Salmon live in Dallas 4/2/26 at Granada Theater!

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